[1] Preliminary design for a menagerie and banqueting house, 1766, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Eaton Hall, Cheshire, unexecuted designs for a menagerie and banqueting house, and for alterations and additions to the house for Baron Grosvenor (later 1st Earl Grosvenor), c1766-68 (19)
    - Preliminary design for a menagerie and banqueting house, and finished drawing for a banqueting house, 1766, unexecuted, 1766 (2)

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Reference number

SM Adam volume 21/78

Purpose

[1] Preliminary design for a menagerie and banqueting house, 1766, unexecuted

Aspect

Rough plan and elevation of a two-storey, nine-bay building, with a peristyle bow front and a domed central circular room. To either side is an enclosed courtyard with compartments for animals

Scale

not to scale

Inscribed

A Menagerie for Lord Grosr, A Dining room / with 2 Bed rooms above (in pen) and some dimensions given (in pencil)

Signed and dated

1766
datable to 1766

Medium and dimensions

Pen and pencil on laid paper (194 x 153)

Hand

Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 10
King, 2001, Volume II, p. 218
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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