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  • image Image 1 for SM D1/1/28
  • image Image 2 for SM D1/1/28
  • image Image 1 for SM D1/1/28
  • image Image 2 for SM D1/1/28

Reference number

SM D1/1/28

Purpose

Stratton Park, Hampshire, 1803-07

Aspect

[35] Elevation of end bay (E) of S front and Section (through three floors and roof with king-post truss with ashlar-pieces) from West to East across the Breakfast room and Library

Scale

½ in to 1 ft

Inscribed

as above, (pencil, Carter) Elevation of Part of Sth Front, (pencil, Carter) Solid abutmtt of Principal Rafter / on Beam 3in in Middle / Do ½ to King Post Brace, labelled and dimensions given

Signed and dated

  • 1803-07

Medium and dimensions

Pen, raw umber and pink washes, pencil on laid paper, two sheets joined (680 x 1160)

Hand

Dance, Carter

Watermark

D & C Blauw IV (twice) and D&CBxX in cartouche surmounted by fleur-de-lis (twice)

Notes

Verso
W/E section through three floors and roof of Hall of Entrance and Dining Room showing king-post roof trusses
Scale: ½ in to 1 ft
Inscribed: as above, Section of / new Building / Working Drawing and dimensions given
Brown pen, light red wash, pencil, hatching
Drawn by James Carter
Of the two king-post trusses with ashlar-pieces, that over the Hall of Entrance is asymmetrical.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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