[10] Imaginative reconstruction drawing of an intermediate design made by J.M.Gandy, 1798-1799

Explore Collections

You are here: CollectionsOnline / [10] Imaginative reconstruction drawing of an intermediate design made by J.M.Gandy, 1798-1799

Browse

Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Soane's architectural education: Royal Academy and Italy including measured drawings: 1770-1780
  - Soane's architectural education including theoretical designs made for the Royal Academy Schools and for exhibition at the Royal Academy, 1770-80, and in Italy, 1778-80
    - Preliminary, early, intermediate and late designs, copies, perspectives by J.M.Gandy and R.A. exhibition drawing, 1778-1799, for the so-called 'Chatham mausoleum' for the Earl of Chatham died 11 May 1778 (15)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM volume 60/184

Purpose

[10] Imaginative reconstruction drawing of an intermediate design made by J.M.Gandy, 1798-1799

Aspect

Preparatory perspective after Soane's intermediate design with cinerary urns, Doric frieze, a higher drum to the dome and taller inscription tablet over the entablature, and set in a hilly landscape

Inscribed

(pen, George Bailey, curator 1837-60) Sketch of a Design for a Mausoleum

Signed and dated

badly-nested tags: br

Medium and dimensions

Pencil, sepia washes, watercolour technique within wide sepia wash border on laid paper (360 x 519)

Hand

J.M.Gandy (1771-1843)

Notes

Gandy began working as an assistant in Soane's office in 1798 and left in 1801.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).