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  • image SM D1/1/36

Reference number

SM D1/1/36

Purpose

Stratton Park, Hampshire, 1803-07

Aspect

[20] Plan of ground floor, showing timber beams and joists of floor above superimposed over cellar floor, section N/S through cellars, ground floor and floor of principal storey, and section through N end of Hall of Communication

Scale

½ in to 1 ft

Inscribed

labelled including Recess for Bog Pipe, dimensions given and (verso, Dance) Plans of the House / The different Stories Floor to a larger scale

Signed and dated

  • 1803-07

Medium and dimensions

Pen, pink, raw umber and sepia washes, pencil pricked for transfer on laid paper, two sheets joined (935 x 1120)

Hand

Dance

Watermark

D & C Blauw IV (twice) and D&CBxX in cartouche surmounted by fleur-de-lis (twice)

Notes

The window lighting the north end of the room below the drawing room is not shown, that is, an uninterrupted masonry wall is drawn through a window 5 feet wide is pencilled in. The length of the east wing is marked 82 feet 3 inches with a return of 1 foot 6 inches; further plans ([SM D1/1/37], [SM D1/1/25] and [SM D1/1/26]) have a length of 84 feet 10 inches. The floor-to-ceiling height of the barrel-vaulted cellars is 8 feet 4½ inches and of the ground floor, 9 feet.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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