Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [1] Preliminary design for a bridge, 1773, unexecuted

Browse

  • image SM Adam volume 10/99

Reference number

SM Adam volume 10/99

Purpose

[1] Preliminary design for a bridge, 1773, unexecuted

Aspect

Rough elevation of a detail of a bridge with segmental arches, resting on pyramid-topped piers containing urn-filled niches, and ornamented with fluting, swags in the parapets of the piers, and a parapet of balustrading across the arches. The abutment is terminated by a lamp on a pedestal

Scale

not to scale

Inscribed

Earl of Harborough at Stapleford (in pencil)

Signed and dated

  • 1773
    datable to 1773

Medium and dimensions

Pen and pencil on laid paper (261 x 116)

Hand

Robert Adam

Literature

King, 2001, Volume II, p. 225
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).