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  • image SM D1/1/32

Reference number

SM D1/1/32

Purpose

Stratton Park, Hampshire, 1803-07

Aspect

[18] Plan of cellars

Scale

½ in to 1 ft

Inscribed

(Carter, pencil) The Difference between this & the last Drawing is that / the Wall I have marked A must be moved 4½ Inches / nearer to the Old House & of course all ye East Walls follow it. / from Angle of old House to Center line is 18..6.¾, Query the Figures on ye outline of this Break added is 32..3in / Do on ye inside is only 29..3in leaving the difference of 3ft..0in / & to Correct the 7..9 to answer ye opposite Break - 6[inches] / which leaves it at 2..6 Difference and dimensions given

Signed and dated

  • 1803-07

Medium and dimensions

Pen, light red and sepia washes, pencil on laid paper, two sheets joined (770 x 1190)

Hand

Dance

Watermark

D & C Blauw (twice) and D&CBxX in cartouche surmounted by fleur-de-lis (twice)

Notes

The length of the east wing totals 85 feet 7 inches. Clearly there are difficulties when building on to a wall that has been exposed after partial demolition and Carter is noting the adjustments needed because of the discovery of some dimensional problems.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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