[16] Working drawing for estimates for the 'finishing', 2 May 1791 or before

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Public buildings
  - Norwich, Norfolk: Norwich Castle Gaol: survey, design, working and record drawings for Norwich City Corporation, 1788-1792 (57)

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Reference number

SM 73/3/34

Purpose

[16] Working drawing for estimates for the 'finishing', 2 May 1791 or before

Aspect

N^oII, details of bolts and shutters to the women's cells

Scale

half the full size and 1 inch to one foot

Inscribed

as above, Bolts for the Women Felons / Cells half the full size, B, Plate of the / bottom hinge, Bond Stone, B, Plate of hinge, Bond Stone, C, The square part of the Bolt through which / the Spindle passes, C, Section of the Bolts / to the Cells, Spindle into which the / Bolts of the lock shoot, Cell (sic) to receive / the spindle /when push'd / in to lock and Groove

Medium and dimensions

Pen, sepia, warm sepia, Naples yellow, light blue and black washes, shaded on laid paper (aprox 590 x 480)

Hand

Thomas Chawner (1774-1851, pupil December 1788-1794)

Watermark

Portal & Bridges, fleur-de-lis within crowned cartouche and GR below

Notes

The drawings for the tradesmen tendering for the 'finishing' work were made by a talented draughtsman: Thomas Chawner, born 1774 and articled to Soane in December 1788 at the age of 14. Chawner was about 17 years old when this drawing was made. Subtly washed and shaded (even the Roman numeral is shaded), the drawing is not dated but was produced on or before 2 May 1791 when copies were made.

See SM 73/3/2 for a related specification.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).