[216] Design for alterations to apartments in the north wing of the Light Horse Court, 31 January 1820

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Public buildings
  - London: Royal Hospital, Chelsea for the Board of Commissioners, 1807-1835 (226)
    - Surveys, alterations and repairs to Wren's Chapel, the north wing of the Light Horse Court and the Octagon porch portico, December 1817 - April 1835 (12)

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Reference number

SM 66/5/4

Purpose

[216] Design for alterations to apartments in the north wing of the Light Horse Court, 31 January 1820

Aspect

Ground floor Plan of the North East Wing Building, Chelsea Hospital

Inscribed

as above, labelled (pencil) Mr. Thorn_ _ _ [illegible] (twice), Steward (twice), Sec[retar]^yand Serv[ant] / Bed / ch[amber]

Signed and dated

31^st. January 1820

Hand

Soane office

Notes

This drawing, SM 66/5/3, SM 66/5/7 and SM 66/5/5 show the same part of Wren's Hospital as SM 66/5/2 and SM 66/5/6, though they are dated later and relate to later alterations: slightly varied room allocations ('Secretary' is labelled on SM 66/5/4 of a room that was previously the Comptroller's) and some pencil additions including staircase alterations. The layout of rooms is similar in both sets of drawings.

This drawing and SM 66/5/3 are evidently an original and its copy.

Literature

Royal Hospital Chelsea: Board Minutes and Papers, January 1816-September 1818 (National Archives WO 250/377)

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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