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The Gordons of Letterfourie descended from the Earls of Huntly who acquired the lands of Letterfourie in 1476. James had inherited the Letterfourie estate from his father and having resided in Great Britain for over a decade, decided to replace the dilapidated family seat with a new house to the designs of Robert Adam. It is not known exactly when Adam was approached, however, construction appears to have begun between 1772 and 1773. Alexander returned from Madeira in 1772 and it is not clear how much he was involved in the construction of the new house.
There are four surviving Adam office drawings that can be attributed to Letterfourie. These drawings show designs for the principal elevation of the house, and plans of the ground, principal, and bedchamber floors. The house comprised an attractive and simple, three-storey, three-bay house with a Corinthian portico, and a hipped roof, with L-shaped wings.
The house was executed to a variant design which included a half-sunk basement (that forms the ground floor on the rear elevation) with steps to the principal entrance and flanking wings. The internal stairs in the wings were also relocated from the flank ends to the links flanking the house. It is not clear if Robert Adam was involved in the interior of the house, however, there are some surviving chimneypieces and plasterwork that date from c.1773. Alexander made some alterations to the house in the 1790s, including converting the basement of the east wing into a chapel. The house has remained relatively unaltered.
It has also been suggested that Craigmin Bridge, over the Burn of Letterfourie, could be an Adam design. However, there are no known surviving Adam office drawings that relate to the bridge.
Literature:
W. Anderson, The Scottish Nation, 1863, pp. 323-4; A.T. Bolton, The Architecture of Robert and James Adam, Volume II, Index, 1922, pp. 54, 72; D. King, The Complete Works of Robert & James Adam and Unbuilt Adam, Volume 1, 2001, pp. 123-6; D. Walker, Buildings of Scotland: Aberdeenshire North and Moray, 2015, pp. 686-8; A. Mutch, Tiger Duff: India, Madeira and Empire in Eighteenth-Century Scotland, 2017, pp. xiii-xiv, 12-30; UCL, Legacies of British Slavery Database, online, [accessed 5 March 2024]
Louisa Catt, 2024
Level
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Letterfourie, Moray: designs for a house for James and Alexander Gordon, c.1772-73, executed to a variant design (4)
- [1] Design for the ground floor of a house, c.1772-73, executed to a variant design
- [2] Design for the principal floor of a house, c.1772-73, executed to a variant design
- [3] Design for the bedroom floor of a house, c.1772-73, executed to a variant design
- [4] Design for a house, c.1772-73, executed to a variant design