[2] Design for the bedchamber floor of a house, 1791, unexecuted

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Robert and James Adam office drawings
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  - Linthouse, Glasgow: unexecuted designs for a house for James Spreull, 1791, unexecuted (7)

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Reference number

SM Adam volume 31/95

Purpose

[2] Design for the bedchamber floor of a house, 1791, unexecuted

Aspect

Bedchamber (first) floor plan comprising a central block with flanking links terminating in wings. The central block comprises a series of bedchambers, dressing rooms and closets with a staircase in one corner. The flanking links and wings contain bedrooms and closets with additional staircases in the links. There is a pencil sketch for a section of part of the building showing two floors with a hipped roof

Scale

bar scale of 1 inch to 10 feet

Inscribed

Plan of the Bed Chamber Story / Servants Bedroom / Closet / Bedroom / Bed Chamber / Dress.^g Closet / Staircase / Dress^g / Closet / Lobby / Closet / Bed Chamber / Bed Chamber / Bedroom / Stairs / Bedroom / Closet / Closet / Closet / Closet with some room dimensions

Signed and dated

13/12/1791
Edin.^r 13^th Decemb^r / 1791

Medium and dimensions

Pen and pencil on laid paper (490X276)

Hand

Possibly
Adam office hand, possibly John Robertson or Robert Morison

Watermark

Portal & Bridges

Literature

Bolton, 1922, p. 21
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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