[3] Design for the plan and rear elevation of a gateway and lodge, 1785, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Loftus Hall, Co. Wexford: designs for a gate and lodge, and set of gates for Charles Loftus, 1st Marquess of Ely, 1785, unexecuted (4)
    - Designs for a gate and lodge, 1785, unexecuted (3)

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Reference number

SM Adam volume 51/56

Purpose

[3] Design for the plan and rear elevation of a gateway and lodge, 1785, unexecuted

Aspect

Plan and rear elevation of a gateway and single-storey, octagonal lodge with a pyramidal roof comprising one room with a chimneypiece on one side. The gateway is the same as SM Adam volume 51/57 with the omission of the engaged columns and pilasters and no panels on above the smaller arches

Scale

bar scale of 2 1/2 inches to 10 feet

Inscribed

Back front of Gateway with the Plan & Elevation of the Lodge / Lodge with some dimensions / (verso) 2

Signed and dated

19/2/1785
Adelphi / 19. Febry 1785.

Medium and dimensions

Pen and pencil on laid paper (538x381)

Hand

Possibly
Adam office hand, possibly Robert Morison

Verso

Preliminary sketch of the rear elevation of a gateway, same as recto

Watermark

W surmounted by a fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p. 21
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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