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Loftus inherited the Loftus Hall estate from his uncle, after a dispute over inheritance, in 1784. The Adam office made designs for a classical-style gate and lodge for the park at Loftus Hall, and an additional set of gates, for Charles Loftus in 1785. Neither of these designs appear to have been executed.
Literature:
A.T. Bolton, The Architecture of Robert and James Adam, Volume II, Index, 1922, p. 21; D. King, The Complete Works of Robert & James Adam and Unbuilt Adam, Volume 2, 2001, pp. 183, 221; E. M. Johnston-Liik, ‘Sir Charles Tottenham (Loftus)’, Dictionary of Irish Biography, 2009, online [accessed 26 February 2024]
Louisa Catt, 2024
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Loftus Hall, Co. Wexford: designs for a gate and lodge, and set of gates for Charles Loftus, 1st Marquess of Ely, 1785, unexecuted (4)
- Designs for a gate and lodge, 1785, unexecuted (3)
- Design for a set of gates and piers, 1785, unexecuted (1)