[95] Design for the ceiling for the gallery, unexecuted, 1765

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Robert and James Adam office drawings
- Country houses
  - Harewood House, Yorkshire: designs for alterations to the church and house; for the interior decoration; and for a greenhouse and gateway for Edwin Lascelles, 1759-1782 (121)
    - Designs for the interior decoration of the house, including the hall, music room, saloon, dining room, gallery, library, bed rooms, dressing rooms, great staircase and portico soffit, 1765-1778 (107)
      - Preliminary design and designs for the ceiling for the gallery, unexecuted, and a preliminary design, finished drawing, and record drawing for the ceiling for the gallery as executed, 1765-69 (6)

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Reference number

SM Adam volume 11/168

Purpose

[95] Design for the ceiling for the gallery, unexecuted, 1765

Aspect

Plan of a rectangular ceiling with apsidal ends, divided by screens of two columns, with the soffit ornamented with laurel leaves, and containing a central fan, encircled by five rosettes enclosed by octagons. The central flat is divided into three large contiguous circles, each containing four rosettes enclosed by lozenges, and four roundels, and these large circles are framed by fans, and a border of fret, and dentils

Scale

to a scale

Inscribed

1st Cieling for the Gallery at Gawthorpe House (in the hand of William Adam)

Signed and dated

1765
1765

Medium and dimensions

Pen on laid paper (518 x255)

Hand

Adam office hand, possibly William Hamilton or Robert Nasmith, and title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 16
Stillman, 1966, p. 103
Mauchline, 1992, p. 77
Harris, 2001, p. 146
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).