[33] Design for a group of buildings, 1787, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Kirkdale House, Galloway: variant designs for a house, stables, offices, farm range, brewhouse, bridge and cottage for Sir Samuel Hannay, 3rd Baronet, 1786-88, executed in part (43)
    - Variant designs for stables and offices, 1786-87, unexecuted (14)
      - Variant designs for a stables and offices, 1787, unexecuted (10)

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Reference number

SM Adam volume 35/44

Purpose

[33] Design for a group of buildings, 1787, unexecuted

Aspect

Elevation of a gatehouse, same as SM Adam volume 21/144, with an adjoining single-storey wall, single-storey block, and a section of a two-storey circular stable block with a conical roof with a rooflight. The stables have a central, circular, two-storey arcaded gallery, and the ground floor is divided into stalls by curved partitions. The different colour washes denote the building materials

Scale

bar scale of 3/4 of an inch to 10 feet

Inscribed

(In the hand of William Adam) Offices for Sir Samuel Hannay Bart at Kirkdale in Galloway ~ / 75 / (verso) no 1

Signed and dated

31/3/1787
Albemarle Street / 31.^st March 1787

Medium and dimensions

Pen, pencil, wash and coloured wash including pink and lemon yellow on laid paper (481x238)

Hand

Possibly
Adam office hand, possibly Robert Morison

Watermark

PORTAL & BRIDGES

Notes

The section in this drawing appears to be a paired-back version of an earlier variant design shown in SM Adam volume 35/47.

Literature

Bolton, 1922, p. 20
King, Volume 2, 2001, p. 245
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).