[24] Design for a stables and offices, 1787, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Kirkdale House, Galloway: variant designs for a house, stables, offices, farm range, brewhouse, bridge and cottage for Sir Samuel Hannay, 3rd Baronet, 1786-88, executed in part (43)
    - Variant designs for stables and offices, 1786-87, unexecuted (14)
      - Variant designs for a stables and offices, 1787, unexecuted (10)

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Reference number

SM Adam volume 35/45

Purpose

[24] Design for a stables and offices, 1787, unexecuted

Aspect

Ground plan of a D-shaped stables and office range, with a circular stable flanked by coach houses, staircases, and enclosed by a continuous wall, with a circular room and staircase, a D-shaped room, and a gatehouse with stairs and turrets

Scale

bar scale of 3/4 of an inch to 10 feet

Inscribed

(In the hand of William Adam and underwritten in pencil) Offices for Sir Samuel Hannay Bart / at Kirkdale in Galloway ~ / 74. / (verso) 2 elevations

Signed and dated

31/3/1787
Albemarle Street / 31. March 1787

Medium and dimensions

Pen, pencil and wash on laid paper (305x495)

Hand

Possibly
Adam office hand, possibly Robert Morison

Watermark

GR surmounted by a fleur de lis within a crowned cartouche

Notes

This design is very similar to an earlier variant (SM Adam volume 35/48) with a different gatehouse.

Literature

Bolton, 1922, p. 20
King, Volume 2, 2001, p. 245
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).