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  • image SM Adam volume 46/115

Reference number

SM Adam volume 46/115

Purpose

[19] Finished drawing for an elevation and section through a house, ND, as executed

Aspect

Lower: Flank elevation of a three-storey house over a half-sunk basement with a porte-cochere with a balustrade supported by Tuscan columns to the front, and a rear canted bay with balustraded steps to the rear, with an adjoining pavilion and half-sunk offices in the foreground. The house has a Venetian window on the principal floor and there is string coursing across the entire elevation Upper: Axial section through a three-storey house over a basement with a balustraded porte-cochere at one end and external steps over a vaulted room at the other. The house has a principal staircase lit by a roof light, and there is a room with an apse at one end and a continuous frieze, as well as other rooms with chimneypieces. The different coloured washes denote the building materials

Scale

to a scale

Inscribed

Unknown / 46 / (in pencil) Unknown / 46th

Signed and dated

  • c.1787
    datable to c.1787

Medium and dimensions

Pen, pencil and wash within a ruled border on laid paper (134x235)

Hand

Possibly
Adam office hand, possibly James Adam

Literature

Rowan, 1985, pp. 61-65
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).