[12] Finished drawing for a house, c.1787, as executed

Explore Collections

You are here: CollectionsOnline / [12] Finished drawing for a house, c.1787, as executed

Browse

Robert and James Adam office drawings
- Country houses
  - Kirkdale House, Galloway: variant designs for a house, stables, offices, farm range, brewhouse, bridge and cottage for Sir Samuel Hannay, 3rd Baronet, 1786-88, executed in part (43)
    - Variant designs for a house, 1787, unexecuted (19)
      - Variant designs for a house, c.1787, unexecuted (2)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 46/128

Purpose

[12] Finished drawing for a house, c.1787, as executed

Aspect

Elevation of a three-storey, five-bay house with flanking, single-storey, three-bay links terminating in three-bay, two storey pavilions, all over a half-sunk, rusticated basement. The ground floor of the main house comprises three tripartite openings with balustrades and columns supporting pediments within relieving arches. Above, each bay is articulated by giant Ionic pilasters, the central four supporting a large pediment. The pavilions are also pedimented, with oculi in the centre, and the entire elevation is adorned with string coursing, sills, and moulded cornices

Scale

bar scale of 3/4 of an inch to 10 feet

Inscribed

Unknown / 50 / (in pencil) 50th

Signed and dated

c.1787
datable to c.1787

Medium and dimensions

Pen, pencil and wash within a ruled border on laid paper (246x151)

Hand

Possibly
Adam office hand, possibly Robert Morison

Watermark

Fleur de lis within a crowned cartouche [in part]

Literature

Rowan, 1985, pp. 61-65
King, 2001, p. 127
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).