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  • image SM D1/15/12
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Reference number

SM D1/15/12

Purpose

Coleorton, Leicestershire, 1802-08

Aspect

[164] Plan, elevation and details of drawing room chimney-piece in grey marble with pilasters and square cap and with ormolu guttae, paterae and bead moulding

Scale

2 in t 1ft and full size

Inscribed

Chimney-piece for Drawing room Coleorton Hall, labelled Plan of Caps of Pilasters / & Or Molu ornaments full size, Or Molù (twice) and dimensions given
Signed: GD
Dated: April 17th 1806

Signed and dated

  • 1802-08

Medium and dimensions

Pen, sepia, yellow, burnt umber and light red washes, pencil on laid paper (480 x 675)

Hand

Dance

Watermark

D & C Blauw and fleur-de-lis in crowned cartouche and WR below

Notes

The guttae motif also appears above the door between the drawing room and library (see [SM D1/12/47]).

There is now (1999) no chimney-piece in the drawing room.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).