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- 1802-08
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Elevation/section, sections and details of composite beam
Scale: 1 in to 1 ft and full size
Inscribed: Girder in the Center Flitches of Do..24FT..4ins Long 1Ft..2ins wide 2¼ins thick, labelled Thickness of Floor, Line of Cieling and dimensions given
Pen and yellow wash
David Yeomans (correspondence, 2 August 2001) wrote of the composite beam design 'This is the strangest thing that I have ever seen and there are some puzzles. What strikes me first is that it would be more obvious to make up something symmetrical ....' The unnecessary complexity of the design where, for example, 'the use of timbers 2¼ inches wide making the beam less than 7 x 14 inches when it should have been possible to find a timber that size' is not due to Dance since drawings [SM D1/12/58], [SM D1/12/59], [SM D1/12/57], [SM D1/12/60], [SM D1/12/56] and [SM D1/12/40] are not in his hand and are assumed to have been made by a carpenter.
Level
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).