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  • image SM 67/5/13

Reference number

SM 67/5/13

Purpose

[54] Revised design using part of Lord Yarborough's house, June 1810

Aspect

Plan of the ground floor, with a block plan of the surrounding buildings

Scale

to a scale

Hand

Soane office

Notes

This design could be labelled 'design B' as by this point Soane had succumbed to the Board of Commissioners' wishes that the new Infirmary should involve the conversion of at least part of Yarborough House. Thus as Margaret Richardson writes, the new design 'consisted of a long range of buildings running east-west from which two wings extended south', as shown in SM 67/5/9.

This drawing, SM 67/5/12, SM 67/5/10 and SM 67/5/11 indicate the parts of Yarborough House (marked in grey) considered for conversion to the new Infirmary. The extent of conversion increases within this group of plans, with SM 67/5/12 detailing only the matron's room, visiting apothecary, one ward and the nurses' common room (as labelled on SM 67/5/10) as part of that conversion. The following three plans also include another ward for eight patients, as part of the re-use.

Literature

M. Richardson, 'Soane in Chelsea', pp.45-51, The Chelsea Society Report, 1992

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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