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  • image SM D1/12/49
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Reference number

SM D1/12/49

Purpose

Coleorton, Leicestershire, 1802-08

Aspect

[153] Details of windows for E and N fronts

Scale

full size

Inscribed

Drawing at large for the 4 Windows East front / North Do principal Floor and Bed Rooms over Ditto, Outside Part of large Sash Frames (at large) to Drawing Room Boudier [sic] room / and the three Windows 1 pair, Back Linings for Principal Floor 4 pannells high / the Bed Rooms 3 pannls high , The Panls in back Linings may be varied so as to / get two Stiles out of a Board, labelled including Face of Stone Reveal (twice), Outside Lining, Inside lining, Blocking, this part out of / 3in Deal and (verso, Dance) Fittings to Windows in / the East & North Fronts / of / Principal Floor / & Bedrooms / Coleorton

Signed and dated

  • 1802-08

Medium and dimensions

Pen, pencil on laid paper (660 x 845)

Hand

Carter's assistant?

Watermark

D & C Blauw IV and D&CBxX in cartouche surmounted by fleur-de-lis

Notes

The rather rudimentary details (perhaps drawn by Carter's assistant) are, in principle, as executed; the north side of the house was altered by subsequent additions.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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