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  • image SM D1/12/51

Reference number

SM D1/12/51

Purpose

Coleorton, Leicestershire, 1802-08

Aspect

[145] Elevations of equilaterally arched casement window and shutter for bedrooms over entrance hall, and elevation of Grating to Cellar / Window North End of Library

Scale

1 in to 1 ft and full size

Inscribed

as above, No 3 Windows Mahogany Casements / to Open at the Spring the Gothic head / to be fixed, Shutters and Sashes over Entrance Hall 1 pair Stairs, pencil notes Those may be got out of one or two thicknesses / as may be most convenient, The Hall of Entrance will be the same as this / except the beaded Linings, dimensions given and (verso, Carter) Shutters Architraves &c over Entrance Hall / and areas North End Library

Signed and dated

  • 1802-08

Medium and dimensions

Pen, pencil, partly pricked for transfer on laid paper (665 x 1005)

Hand

Carter

Watermark

D & C Blauw IV and D&CBxX in cartouche surmounted by fleur-de-lis

Notes

The arched top of the windows, 3 feet tall, was to be fixed while the lower two-thirds, 6 feet 3½ inches tall and 4 feet wide overall, was openable. The shutters were 6 feet 2¼ inches high and thus the top part would have been unshuttered. The drawing is as executed.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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