Explore Collections Explore The Collections
You are here: CollectionsOnline  /  Coleorton, Leicestershire, 1802-08

Browse

  • image Image 1 for SM D1/10/33
  • image Image 2 for SM D1/10/33
  • image Image 1 for SM D1/10/33
  • image Image 2 for SM D1/10/33

Reference number

SM D1/10/33

Purpose

Coleorton, Leicestershire, 1802-08

Aspect

[144] Unfinished plan with water pipe and unfinished detail of arch

Scale

to a scale, ¾ in to 1 ft and full size

Inscribed

(Dance) Lead Water Pipe, Opening of Pipe, (Carter) Opening of Central Arch and (verso, Dance) Plan of / Area round th / Offices

Signed and dated

  • 1802-08

Medium and dimensions

Black and red pen, pencil on laid paper, two sheets joined (660 x 1230)

Hand

Dance, Carter

Watermark

D & C Blauw IV and D&CBxX in cartouche surmounted by fleur-de-lis (twice)

Notes

Verso (on smaller of two joined sheets)
full size detail of capping, to be executed in wood?
Inscribed: Capping of Piers the same molding as the Stone and labelled Capping the same, Molding and size / as the Stone capping
Black and brown pen, pencil
The detail of a capping with roundel was drawn by Dance. The unfinished, indeed hardly begun, layout plan for a lead water pipe in a area around the office was also drawn by Dance. He joined two sheets together to make the drainage plan, using the verso of his full-sze capping detail. He then used the side of the joined drawing sheets with the drainage plan to make an unfinished drawing for a semi-circular arch that Carter labelled 'Opening of Center Arch' as well as adding some details.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).