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  • image SM Adam volume 37/5

Reference number

SM Adam volume 37/5

Purpose

[45] Design for a ground plan of a castle-style building, 1787, as executed

Aspect

Ground plan of a castle-style house comprising a central double-apsidal eating room with a grand staircase supported by piers to the rear and flanked by wings with corner turrets and principal rooms including a dressing room, study, hall and buffet room. Beyond the staircase is an additional range containing offices with a central rotunda divided into a servants' hall and second table room with apsidal ends. At one end is an adjoining kitchen with a bow end. The different coloured wash denotes the proposed (pink) and existing (black and grey) fabric

Scale

bar scale of 1 inch to 10 feet

Inscribed

Plan of the Ground Story of Cullean Castle with additions & alterations / North to the Sea / (and in the hand of William Adam) for the Right Honble Earl of Cassilles / (in a different hand) Dressing room / Study / Eating room / Buffet room / Hall / Passage / Butlers Pantry / Principal Stairs / Powdering room / Water / Closet / Passage / House keepers room / Store room / Back stairs / Lobby / Servants Hall / 2.d Table room / Larder / Scullery / Hall & Offices / Door / Water Closet / Passage from the Brewhouse Offices to the Kitchen & Stables / Principal entry from the great Court, east of the Castle / South Terrace / West to the Cow pasture. with some room dimensions (verso) 5

Signed and dated

  • 4/5/1787
    4.th May 1787

Medium and dimensions

Pen, pencil, wash and pink wash on laid paper (496x355)

Hand

Possibly
Adam office hand, possibly Robert Morison

Watermark

W surmounted by a fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p. 8
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).