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  • image SM Adam volume 14/62

Reference number

SM Adam volume 14/62

Purpose

[23] Finished drawing for the eating room ceiling, 1779, executed to a variant design

Aspect

Ceiling plan for a double-apsidal room, with a central square compartment flanked by two apsidal compartments. The central compartment contains a roundel set within a border of enclosed anthemion, followed by bands of husks with peltoid shields, set within a border of enclosed calyx pairs, followed by a wreath of husks enclosing eight rosettes (in two sizes) to the centre and corner angles of the square, with panels containing urns flanked by griffons, with rinceaux, festoons and calyx drops, set within the corners, all bound by a beaded border. The apsidal compartments have a central roundel bound by a border of guilloche, separating the compartment into a lunette, adorned with husks and enclosed rosettes, and a rectangle, adorned with beading, fans, urns flanked by griffons and oval cameos

Scale

bar scale of 1/2 an inch to 1 foot

Inscribed

Design of a Cieling for the Eating room at Culean Castle / 62

Signed and dated

  • 1779
    Adelphi / 1779

Medium and dimensions

Pen, pencil, wash and coloured wash including cerulean, pink and lemon yellow on laid paper (568x407)

Hand

Possibly
Adam office hand, possibly Joseph Bonomi or Robert Morison

Watermark

Footed P

Literature

Bolton, 1922, p. 8
Harris, 2001, pp. 329-30
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).