[13] Design for a section through a castle-style building, 1789, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Findlater Castle, Moray: designs for a castle, stables and offices, gates and a bridge for James Ogilvy 7th Earl of Findlater and 4th Earl of Seafield, 1789, unexecuted (26)
    - Designs for a castle-style building, 1789, unexecuted (13)

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Reference number

SM Adam volume 36/31

Purpose

[13] Design for a section through a castle-style building, 1789, unexecuted

Aspect

Longitudinal section through a three-storey building over a half-sunk basement with some vaulted rooms. At one end is a circular turret and at the other end is a four-storey drum tower with an external ground-floor, balustraded arcade. In the centre of the house is a three-storey, roof-lit, principal staircase and gallery with Doric piers, Corinthian columns, and Ionic columns on each floor respectively. The different coloured washes denote the building materials

Scale

bar scale of 1/2 an inch to 10 feet

Inscribed

Section of Findlater Castle from the North West to the South East Marks C. D on the plan with some dimensions / (verso) no 6

Signed and dated

1789
Albemarle Street / datable to 1789

Medium and dimensions

Pen, pencil and coloured wash including pink and lemon yellow (480x286)

Hand

Possibly
Adam office hand, possibly Robert Morison or Daniel Robertson

Watermark

PORTAL & BRIDGES

Literature

Bolton, 1922, p. 13
King, 2001, p. 162
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).