[10] Design for the south east front of a castle-style building, 1789, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Findlater Castle, Moray: designs for a castle, stables and offices, gates and a bridge for James Ogilvy 7th Earl of Findlater and 4th Earl of Seafield, 1789, unexecuted (26)
    - Designs for a castle-style building, 1789, unexecuted (13)

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Reference number

SM Adam volume 36/27

Purpose

[10] Design for the south east front of a castle-style building, 1789, unexecuted

Aspect

South east elevation of a three-storey, thirteen-bay building over a half-sunk basement, with corner turrets, and a central five-bay, four-storey drum tower with a ground floor arcade. The ground floor windows are within recessed arches, the remaining elevation has a mixture of square-headed, arched and slit windows and the elevation is adorned with crosses, balustrading, string coursing and machicolated cornices

Scale

bar scale of 1/2 an inch to 10 feet

Inscribed

South East front of Findlater Castle / Extends 156 feet / (verso) no 2

Signed and dated

14/8/1789
Albemarle Street / 14.^th August 1789

Medium and dimensions

Pen and pencil on laid paper (490x284)

Hand

Possibly
Adam office hand, possibly Robert Morison or Daniel Robertson

Watermark

PORTAL & BRIDGES

Literature

Bolton, 1922, p. 13
King, 2001, p. 162
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).