[25] Design for a gateway and lodge, 1783, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Cullen House, Moray: designs for the interior decoration of Cullen House and an entrance screen for James Ogilvy, 6th Earl of Findlater and 3rd Earl of Seafield, and designs for a chimney piece and furniture for the drawing room at Cullen House, along with a tea pavilion, town house or gardener’s house, and a gated lodge for James Ogilvy, 7th Earl of Findlater and 4th Earl of Seafield, 1767-83, executed in part (26)
    - Designs for a gateway and lodge for the 7th Earl of Findlater, 1783, unexecuted (2)

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Reference number

SM Adam volume 36/70

Purpose

[25] Design for a gateway and lodge, 1783, unexecuted

Aspect

Basement, ground and first floor plan of a lodge comprising a room and staircase. The ground floor of the lodge has a front bow, with an adjoining gateway with piers, and a yard to the rear with a privy in the corner

Scale

bar scale of 2 inches to 10 feet

Inscribed

Plan of the Gateway of Cullean House / for the Earl of Findlater / Upper Story / Porters Bedroom / Privy / Porters Lodge / Ground Plan / Cellar with some dimensions / (verso) no 3 / These Plans go in 14 with the Book / (in pencil) 14

Signed and dated

12/9/1783
12^th Sep.^r 1783

Medium and dimensions

Pen and pencil on laid paper (370x515)

Hand

Possibly
Adam office hand, possibly Robert Morison

Watermark

J KOOL surmounted by a fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p. 8
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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