[20] Design for the half-sunk basement of a banqueting room, 1783, unexecuted

Explore Collections

You are here: CollectionsOnline / [20] Design for the half-sunk basement of a banqueting room, 1783, unexecuted

Browse

Robert and James Adam office drawings
- Country houses
  - Cullen House, Moray: designs for the interior decoration of Cullen House and an entrance screen for James Ogilvy, 6th Earl of Findlater and 3rd Earl of Seafield, and designs for a chimney piece and furniture for the drawing room at Cullen House, along with a tea pavilion, town house or gardener’s house, and a gated lodge for James Ogilvy, 7th Earl of Findlater and 4th Earl of Seafield, 1767-83, executed in part (26)
    - Preliminary drawings and designs for a banqueting house for the 7th Earl of Findlater, 1783, unexecuted (6)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 36/64

Purpose

[20] Design for the half-sunk basement of a banqueting room, 1783, unexecuted

Aspect

Basement plan of a banqueting room comprising a circular kitchen housed within a rear bow, with a chimneypiece and two niches, flanked by a scullery and larder, with a staircase and wine cellar connected by a lobby to the front

Scale

bar scale of 3/4 of an inch to 10 feet

Inscribed

Sunk Story of the Building for a Banqueting room / (in the hand of William Adam) for the Earl of Findlater / (in a different hand) Scullery / wine Cellar / Kitchen / Lobby / Larder with some room dimensions / (verso) no 4

Signed and dated

12/9/1783
Adelphi / 12^th Sep.^r 1783.

Medium and dimensions

Pen and pencil on laid paper (466x283)

Hand

Possibly
Adam office hand, possibly Robert Morison

Watermark

J WHATMAN

Literature

Bolton, 1922, p. 8
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).