[4] Record drawing for the hall, 1767, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Cullen House, Moray: designs for the interior decoration of Cullen House and an entrance screen for James Ogilvy, 6th Earl of Findlater and 3rd Earl of Seafield, and designs for a chimney piece and furniture for the drawing room at Cullen House, along with a tea pavilion, town house or gardener’s house, and a gated lodge for James Ogilvy, 7th Earl of Findlater and 4th Earl of Seafield, 1767-83, executed in part (26)
    - Designs for the library, staircase, hall and vestibule for the 6th Earl of Findlater, 1767, unexecuted (4)

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Reference number

SM Adam volume 36/53

Purpose

[4] Record drawing for the hall, 1767, unexecuted

Aspect

Plan and wall elevation for a hall with a screen of Tuscan columns at one end and a central apse at the other with a chimneypiece, flanked by panels of scrolled hearts and niches containing statues. The walls are panelled and there is a continuous fluted frieze with lozenges and a cornice above

Scale

bar scale of 3 1/2 inches to 10 feet

Inscribed

The Earl of Findlater / Section of the Hall at Cullen House / Passage to the Kitchen &c / Great Coal / Room &c / Door to the Great Stairs / Door to the office / (in pencil) The Earl of Findlater

Signed and dated

1767
datable to 1767

Medium and dimensions

Pen and pencil on laid paper (722x563)

Hand

Possibly
Adam office hand, possibly William Hamilton, J. P. Laurent or Joseph Bonomi

Watermark

D & C BLAUW with a cartouche surmounted by a fleur de lis

Literature

Bolton, 1922, p. 8
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).