[6] Design for the second floor of a building, 1789, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Findlater Castle, Moray: designs for a castle, stables and offices, gates and a bridge for James Ogilvy 7th Earl of Findlater and 4th Earl of Seafield, 1789, unexecuted (26)
    - Designs for a castle-style building, 1789, unexecuted (13)

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Reference number

SM Adam volume 36/35

Purpose

[6] Design for the second floor of a building, 1789, unexecuted

Aspect

Second floor plan of a house with projecting corner turrets and a central rear bow with a pair of oval staircases with a colonnaded gallery opposite, flanked by a series of bed chambers and dressing rooms

Scale

bar scale of 1/2 an inch to 10 feet

Inscribed

Bed Chamber or two pair Story of Findlater / Bed Chamber / Dressing / room / Bed Chamber / Bed Chamber / Bed Chamber / Dress^g room / Bed Chamber / Bed Chamber / Bed Chamber / Vestible / Serv^ts room / Bed Chamber / Closet / Dressg room / Passage / Dressg / room / Bed Chamber / Bed Chamber / Bed Chamber / Dress^g / room / Servant / Ladys / Dressing room / Gentlemans / Dress^g room / Bed Chamber / A / B / C / D with some room dimensions / (verso) no 10 / These Plans go 7^th into the Book

Signed and dated

1789
Albemarle Street / datable to 1789

Medium and dimensions

Pen and pencil on laid paper (487x285)

Hand

Possibly
Adam office hand, possibly Robert Morison or Daniel Robertson

Watermark

PORTAL & BRIDGES

Literature

Bolton, 1922, p. 13
King, 2001, p. 162
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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