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  • image SM Adam volume 36/72

Reference number

SM Adam volume 36/72

Purpose

[14] Design for a ground plan of a circular stable range, 1789, unexecuted

Aspect

Ground plan of a circular stable range with a central carriage ring with a gallery and spire. The stable range has four gateways flanked by stairs and four pavilions containing a brewhouse, coach houses, and bedrooms, connected by stables and stores for items including corn, hay and straw. There are additional elevations drawing in pencil, including a detail of a capital

Scale

bar scale of 1/2 an inch to 10 feet

Inscribed

Design of a Circular Court of Stable Offices for Findlater Castle / Gateway / Smith / shop / Fa[_ _ _]y / Scullery / to / Brewhouse / Brewhouse / Beer [_ _ _ _] / & [_ _ _] / Storeroom / Grainary / Harness / Gateway / Harness / Coach House / stable / Coach House / Coach House / Saddle horse / Stable / Boiling / room / A / Gateway / Saddle room above A. B. / Boiling / room / B / Saddle / Horse / Stable / Coach House / Coach House / Coach House / Stable / Harness / Gateway / Saddles / Strangers Horses / Sick / Horses / Bedroom / Bedroom / Groom / Farriers / Straw / Hay / Corn (all underwritten in pencil) / Court / Gallery above / the Ride / 66 d.r / (verso) no 2 / no 2 / These Plans go 15th into the Book / Ground Plan of Offices

Signed and dated

  • 14/8/1789
    Albemarle Street / 14.h August 1789

Medium and dimensions

Pen and pencil on laid paper (535x362)

Hand

Possibly
Adam office hand, possibly Robert Morison or Daniel Robertson

Watermark

J WHATMAN

Literature

Bolton, 1922, p. 13
King, 2001, p. 244
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).