[20] Design for an elevation of the kitchen offices, c.1789, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Findlater Castle, Moray: designs for a castle, stables and offices, gates and a bridge for James Ogilvy 7th Earl of Findlater and 4th Earl of Seafield, 1789, unexecuted (26)
    - Designs for a circular kitchen court and offices, c.1789, unexecuted (6)

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Reference number

SM Adam volume 36/77

Purpose

[20] Design for an elevation of the kitchen offices, c.1789, unexecuted

Aspect

Elevation of a group of two-storey kitchen offices with single-storey links. The central building has a central two-storey relieving arch with oculi. Across the elevation of the buildings are a mixture of square-headed windows, string coursing, machicolated cornices and corner corbelled bartizans

Scale

bar scale of 1/2 an inch to 10 feet

Inscribed

North front of the Octagon Court of Kitchen Offices for Findlater Castle

Signed and dated

c.1789
datable to c.1789

Medium and dimensions

Pen and pencil on laid paper (265x158)

Hand

Possibly
Adam office hand, possibly Robert Morison or Daniel Robertson

Watermark

Literature

Bolton, 1922, p. 13
King, 2001, p. 244
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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