[14] Design for the front elevation and section of a range of castle-style stables and offices, 1789, as executed

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Robert and James Adam office drawings
- Country houses
  - Castle Upton, Templepatrick, Co Antrim: designs for additions to a castle and a new stable block and offices for Clotworthy Upton, Lord Templetown, and a mausoleum dedicated to Arthur Upton, 1783-89 (16)
    - Designs for additions to a castle-style house, and a range of stables and offices, 1788-89, executed in part (6)

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Reference number

SM Adam volume 48/32

Purpose

[14] Design for the front elevation and section of a range of castle-style stables and offices, 1789, as executed

Aspect

Elevation and section of a two-storey building, same as SM Adam volume 48/33 with an additional wing and pavilion on the other side and the omission of crenelations, machicolated cornices and crosses

Scale

bar scale of 3/4 of an inch to 10 feet

Inscribed

Front of Coach Houses & for Castle Upton / (in a different hand) the Seat of / The Right Honorable Lord Templetown (underwritten in pencil)

Signed and dated

13/2/1789
Albemarle Street / 13^h. Febry 1789

Medium and dimensions

Pen, pencil and pink wash and lemon yellow wash on laid paper (448x271)

Hand

Possibly
Adam office hand, possibly Robert Morison or Daniel Robertson

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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