[6] Design for the principal elevation of a castellated house, 1783, executed to a variant design

Explore Collections

You are here: CollectionsOnline / [6] Design for the principal elevation of a castellated house, 1783, executed to a variant design

Browse

Robert and James Adam office drawings
- Country houses
  - Castle Upton, Templepatrick, Co Antrim: designs for additions to a castle and a new stable block and offices for Clotworthy Upton, Lord Templetown, and a mausoleum dedicated to Arthur Upton, 1783-89 (16)
    - Designs for additions to a castle-style house, 1783, executed to a variant design (7)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 48/29

Purpose

[6] Design for the principal elevation of a castellated house, 1783, executed to a variant design

Aspect

Elevation of a three-storey building with a round tower with a conical roof, and an additional tower with a conical roof at one end, both with weathervanes. There is an arched entrance with hood moulding within a porch with a parapet adorned with lozenges and corbelled corner bartizans, and is approached by a set of stairs. The entire elevation is adorned with a continuous machicolated cornice, crenelations, corbelled bartizans with pepper-pot roofs

Scale

bar scale of 1 inch to 10 feet

Inscribed

Another Design for Lord Templetown

Signed and dated

28/5/1783
Adelphi / 28^h May 1783

Medium and dimensions

Pen, pencil and wash within a ruled border on laid paper (400x254)

Hand

Possibly
Adam office hand, possibly Robert Morison

Literature

Bolton, 1922, p. 6
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).