[5] Design for additions to the upper bedchamber floor of a castle-style house, 1783, executed to a variant design

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Robert and James Adam office drawings
- Country houses
  - Castle Upton, Templepatrick, Co Antrim: designs for additions to a castle and a new stable block and offices for Clotworthy Upton, Lord Templetown, and a mausoleum dedicated to Arthur Upton, 1783-89 (16)
    - Designs for additions to a castle-style house, 1783, executed to a variant design (7)

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Reference number

SM Adam volume 48/38

Purpose

[5] Design for additions to the upper bedchamber floor of a castle-style house, 1783, executed to a variant design

Aspect

Upper bedchamber (third) floor plan of an irregular-shaped building comprising two adjoining rectangular ranges with two round towers to two of the corners, and a shallow three-bay bow between the two ranges. Rooms are shown only in the range to the right, comprising bed chambers and a closet, with a curved staircase leading to the left range. The pink coloured wash denotes the proposed additions

Scale

bar scale of 1 inch to 10 feet

Inscribed

Lord Templetown / Stairs from g to h rises 7ft 9 in / Closet / Bed Chamber / Bed chamber with some room dimensions

Signed and dated

4/7/1783
Adelphi / 4^h July 1783

Medium and dimensions

Pen, pencil and pink wash on laid paper (440x249)

Hand

Possibly
Adam office hand, possibly Robert Morison

Literature

Bolton, 1922, p. 6
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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