[3] Finished drawing for additions to the bedchamber floor of a castle-style house, 1783, executed to a variant design

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Robert and James Adam office drawings
- Country houses
  - Castle Upton, Templepatrick, Co Antrim: designs for additions to a castle and a new stable block and offices for Clotworthy Upton, Lord Templetown, and a mausoleum dedicated to Arthur Upton, 1783-89 (16)
    - Designs for additions to a castle-style house, 1783, executed to a variant design (7)

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Reference number

SM Adam volume 48/39

Purpose

[3] Finished drawing for additions to the bedchamber floor of a castle-style house, 1783, executed to a variant design

Aspect

Bedchamber (second) floor plan of an irregular-shaped building comprising two adjoining rectangular ranges with two round towers at two of the corners, and a deep single-bay bow between the two ranges containing a staircase. The rooms are divided into four principal spaces, with some closets, chimneypieces, and a staircase between the two ranges. The different colour washes denote the existing fabric (black) and proposed fabric (pink)

Scale

bar scale of 1 inch to 10 feet

Inscribed

Lord Templetown

Signed and dated

28/5/1783
Adelphi / 28^h May 1783

Medium and dimensions

Pen, pencil, wash and pink wash within a ruled border on laid paper (390x272)

Hand

Possibly
Adam office hand, possibly Robert Morison

Literature

Bolton, 1922, p. 6
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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