[16] Finished drawing for a castle-style lodge, 1783, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Lodges for the Earl of Findlater, unknown location: designs for lodges in the classical and castle styles for James Ogilvy, 7th Earl of Findlater and 4th Earl of Seafield, c.1781-83, unexecuted (16)
    - Design for a castle-style lodge, 1783, unexecuted (1)

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Reference number

SM Adam volume 36/46

Purpose

[16] Finished drawing for a castle-style lodge, 1783, unexecuted

Aspect

Elevation of a three-storey, three-bay, cross-stepped gabled lodge with flanking single-bay wings, all over a basement. There is a ramped entrance to the central opening with a fanlight above, flanked by square-headed windows, followed by Venetian windows in the flanking wings. Across the entire elevation are hood mouldings, string coursing, crenellations, corbelled cornices and corbelled bartizans with pepper-pot roofs

Scale

bar scale of 2 inches to 10 feet

Inscribed

(In the hand of William Adam) 2^d Design of a Lodge in the Castle Stile for the Earl of Findlater / (in a different hand) 15

Signed and dated

21/8/1783
Adelphi / August 21^d 1783

Medium and dimensions

Pen, pencil and wash within a ruled border on laid paper (575x474)

Hand

Possibly
Adam office hand, possibly Robert Morison

Literature

Bolton, 1922, p. 54
King, 2001, p. 165
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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