[1] Finished drawing for the ground floor of a lodge, 1781, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Lodges for the Earl of Findlater, unknown location: designs for lodges in the classical and castle styles for James Ogilvy, 7th Earl of Findlater and 4th Earl of Seafield, c.1781-83, unexecuted (16)
    - Designs for a classical lodge, 1781, unexecuted (8)

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Reference number

SM Adam volume 36/48

Purpose

[1] Finished drawing for the ground floor of a lodge, 1781, unexecuted

Aspect

Ground (basement) floor plan of a lodge with offices adjoining the flank side, and a central rear canted bay. The lodge has two staircases in the centre set at angles, and surrounded by cellars, store rooms, rooms for the cook, lodgekeeper, steward and butler, as well as a servant’s hall and kitchen

Scale

bar scale of 2 inches to 10 feet

Inscribed

Plan of the Ground Story / Passage leading to Offices / Butlers Pantry / Passage / Kitchen / Scullery / Cellar / Store room / Cellar / Cellar / Servants Hall / Stewards room / Cooks Bed room / Lodgekeepers room with some room dimensions / (verso) no 5

Signed and dated

1781
R. A. 1781

Medium and dimensions

Pen, pencil and wash within a ruled border on laid paper (520x355)

Hand

Possibly
Adam office hand, possibly Robert Morison

Watermark

J KOOL surmounted by a fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p. 54
King, 2001, p. 135
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).