[116] Record drawing for the greenhouse, 1779

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Robert and James Adam office drawings
- Country houses
  - Harewood House, Yorkshire: designs for alterations to the church and house; for the interior decoration; and for a greenhouse and gateway for Edwin Lascelles, 1759-1782 (121)
    - Designs for a greenhouse and gateway with lodges, 1779-1782 (6)
      - Record drawings for the greenhouse, 1779 (3)

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Reference number

SM Adam volume 35/26

Purpose

[116] Record drawing for the greenhouse, 1779

Aspect

Plan of a seven-bay colonnaded greenhouse, with single-bay end pavilions each containing an oval room, and with a small extension at the rear containing a water cistern

Scale

bar scale of 1/5 inch to 1 foot

Inscribed

Plan of the Green House at Gawthorpe the Seat of Edwin Lascelles Esqr [at Gawthorpe the Seat of Edwin Lascelles Esqr in the hand of William Adam] / Shed / Cistern / Garden room / Green House / Garden room and some dimensions given (verso) No 5 / No 5 these plans should go 5th within the Book

Signed and dated

June 1779
datable to June 1779

Medium and dimensions

Pen on laid paper (603 x 493)

Hand

Adam office hand, possibly Robert Morison, with addition to title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 16
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).