Scale
bar scale of 1/8 inch to 1 foot
Inscribed
(pencil) a calculation given
Signed and dated
Medium and dimensions
Pen and sepia wash, partly pricked for transfer on wove paper (473 x 681)
Hand
Soane office
Watermark
(58) J Whatman 1808
Notes
This drawing shows a different design for the east front without the projecting entrance porch. The idea for the east porch was abandoned due to a shortage of funds. In terms of the design, this alteration gave greater prominence to the Mausoleum on the other side. The east front is an austere and symmetrical structure with no central feature. Clerestory windows reappear as an alternative to the skylights. An arcade with plain round arches runs along the whole length of the lower storey. This drawing is a half-elevation of an almost identical design seen in SM 15/1/5 but a pitched roof is introduced along the wing and the pediments on the end bays are replaced with parapets.
Literature
F. Nevola, Soane's favourite subject: the story of Dulwich Picture Gallery, 2000, pp. 46 & 181
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).