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  • image SM 65/4/61

Reference number

SM 65/4/61

Purpose

[53] Working drawing for Gallery with additional projecting entrance porch facing east

Aspect

Enlarged ground floor plan for south half of the Gallery and (verso, pencil) rough elevation of antefix

Scale

bar scale of ¼ inch to 1 foot

Inscribed

Altar (twice), Mausoleum, Chapel, Sarcophagus (three times), Picture Gallery, Arcade, some calculations and dimensions given

Signed and dated

  • (Soane) Dulwich College / 1811

Medium and dimensions

Pen, pencil and rose pink wash, pricked for transfer on wove paper (480 x 690)

Hand

Soane office with pencil additions by Soane

Notes

Although this drawing is dated 1811, it is probable that the added square of paper on the bottom left was added at a later date, perhaps late 1811 or early 1812. This addition to the drawing shows the plan for the new east entrance porch, following the decision to move the Mausoleum to the west after a meeting at the College on 15 November 1811. A structure projecting from the centre of the building is designed on the east facade echoing the structure of the Mausoleum opposite on the west side. However the entrance porch is slightly wider. Around the plan of the Mausoleum Soane has sketched-in additional sarcophagi and altars.

Literature

F. Nevola, Soane's favourite subject: the story of Dulwich Picture Gallery, 2000, pp. 67 & 186

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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