[11] Presentation drawing for alternative design of an aedicule framing a tablet over a sarcophagus, January 1816

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Monuments and mausolea
  - Cricket St Thomas, Somerset: St Thomas's Church: monument to Admiral Hood, 1st Viscount Bridport for Lady Bridport, 1814-1816 (24)

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Reference number

SM 63/6/64

Purpose

[11] Presentation drawing for alternative design of an aedicule framing a tablet over a sarcophagus, January 1816

Aspect

Elevation; plan; and details of pediment

Scale

bar scale of 1 1/8 inches to 1 foot

Inscribed

(pencil) vertical dimensions given, (Bailey) Sketch of a design for a Monument to the Viscount Bridport

Signed and dated

(Bailey) Jan^y1816

Medium and dimensions

Pencil, pen and wash on laid paper (366 x 522)

Hand

Soane office, and some titles added later by George Bailey (Soane Museum curator, 1837-60), inscriptions on versos by Robert Baldwin (fl.1762-c.1804)

Watermark

Phipps & Son 1809

Notes

This drawing shows design for a monument approximately 10 feet 4 inches high. It shows a sarcophagus that narrows towards its base and is supporting a seated lion at each end. It has an Ionic aedicule with a scrolled pediment, with rosettes and palm leaves on the tympanum. The fluted columns frame an inscribed tablet, and a panel with an outline of three shields.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).