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  • image SM D1/12/37

Reference number

SM D1/12/37

Purpose

Coleorton, Leicestershire, 1802-08

Aspect

[91] Details of plaster mouldings for the attached piers flanking the entrance to the Polygon Hall and of stone plinth

Scale

full size

Inscribed

Entrance Hall, labelled Stone Plinth (three times), Stucco (twice), (verso, Dance) Details of the Entrance Hall and Plan of Moldings full size / Coleorton Hall of Entrance
Signed: Coleorton GD

Signed and dated

  • 1802-08

Medium and dimensions

Pen, pink and raw umber washes, partly pricked for transfer on laid paper (950 x 530)

Hand

Dance

Watermark

D & C Blauw IV and D&CBxX in cartouche surmounted by fleur-de-lis

Notes

The details are as executed. A roll moulding was added to the detail shown on [SM D1/13/23].

For further drawings made by the joiner Carter for the entrance hall see [SM D1/12/51] (details of window and shutters); [SM D1/12/11] (details of door and windows); and [SM D1/12/38] (Plan of / molding between Windows / Entrance Hall).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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