[13] Design for a vase to stand in the chimneypiece, 1778

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Robert and James Adam office drawings
- Country houses
  - Harewood House, Yorkshire: designs for alterations to the church and house; for the interior decoration; and for a greenhouse and gateway for Edwin Lascelles, 1759-1782 (121)
    - Designs for the interior decoration of the house, including the hall, music room, saloon, dining room, gallery, library, bed rooms, dressing rooms, great staircase and portico soffit, 1765-1778 (107)
      - Designs for a chimneypiece for the hall, and a vase to stand in the chimneypiece, 1766 and 1778 (2)

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Reference number

SM Adam volume 49/55

Purpose

[13] Design for a vase to stand in the chimneypiece, 1778

Aspect

Elevation of a vase ornamented with a central oval medallion, masks, Vitruvian scroll with foliage, fluting, festoons, and gadrooning, and with scrolled handles

Scale

full size

Inscribed

Vase to stand on the Chimney Pieces in the Hall at Harewood

Signed and dated

1778
Adelphi / 11t March 1778

Medium and dimensions

pen and pencil on laid paper (379 x 500)

Hand

Adam office hand, possibly Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 16
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).