[11] Alternative design for the ceiling for the hall, 1765

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Robert and James Adam office drawings
- Country houses
  - Harewood House, Yorkshire: designs for alterations to the church and house; for the interior decoration; and for a greenhouse and gateway for Edwin Lascelles, 1759-1782 (121)
    - Designs for the interior decoration of the house, including the hall, music room, saloon, dining room, gallery, library, bed rooms, dressing rooms, great staircase and portico soffit, 1765-1778 (107)
      - Alternative designs for the ceiling for the hall, 1765 (2)

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Reference number

SM Adam volume 11/131

Purpose

[11] Alternative design for the ceiling for the hall, 1765

Aspect

Plan of a compartmental ceiling, the raised divisions ornamented with scrolled hearts, and with a central medallion enclosed within a fan, festoons, peltoid shields, and an octagonal frame of fret, and encircled by lozenges and hexagons enclosing rosettes, oval rosettes enclosed within fans, and oval medallions, and with a roundel containing a trophy in each corner, as executed

Scale

bar scale of 1/2 inch to 1 foot

Inscribed

Design of a Cieling for the Hall at Gawthorpe House in Yorkshire The Seat of Edwin Lascelles Esquire and some dimensions given

Signed and dated

1765
1765

Medium and dimensions

Pen and wash on laid paper (462 x 577)

Hand

Adam office hand, possibly William Hamilton or Robert Nasmith

Literature

Bolton, 1922, Volume II, Index p. 16
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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