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  • image Image 1 for SM D1/13/22
  • image Image 2 for SM D1/13/22
  • image Image 1 for SM D1/13/22
  • image Image 2 for SM D1/13/22

Reference number

SM D1/13/22

Purpose

Coleorton, Leicestershire, 1802-08

Aspect

[85] Floor plan of hall and part-elevation/section of chimney-piece wall

Scale

Scale One Inch to the Foot

Inscribed

as above, Hall of Entrance, labelled Stone Plinth A (twice), Lower Stone Plinth B and (verso, Dance) Coleorton / Parts of Entrance Hall / and also of Pollygon Hall

Signed and dated

  • 1802-08

Medium and dimensions

Pen, pink and sepia washes, pencil on laid paper (660 x 950)

Hand

Dance

Notes

To a larger scale, the plan is essentially the same as [SM D1/13/20] and [D1/13/21] and shows details of the plinth. The chimney-piece has plainly panelled lintel and jambs and differs from the Gothic chimney-piece now in place.

Verso
Plan of Stone steps leading / from the Polygon Hall into / the Stone Staircase and profile of One of the Steps with its Molding / full size
Scale 2 ins to the Foot and full size
Inscribed: as above, labelled including Nich (twice), riser (four times), nosing (four times) and dimensions given
Pen and pink wash, pencil
The stair is as executed but the mouldings of the intrados are different.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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