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  • image Image 1 for SM D1/12/32
  • image Image 2 for SM D1/12/32
  • image Image 1 for SM D1/12/32
  • image Image 2 for SM D1/12/32

Reference number

SM D1/12/32

Purpose

Coleorton, Leicestershire, 1802-08

Aspect

[78] Plan of the South East Turret and part of the East Wall, Elevation of the Base of the Turrets, Base Mouldings full size for the Turrets and Mouldings full size level with the / principal Floor between all the / Windows under the Piers

Scale

1½ in to 1 ft and full size

Inscribed

as above, labelled including Face of square Base under each Turret, outside Face of wall in Cellar Story, Oak Cill of Sash Frane, Stone Cill, Sash Frame, bottom rail of Sash, Cill of Sash Frame Stone Cill, and some dimensions given
Signed: GD (twice)
Dated: Coleorton Hall / April 8th 1805 and Coleorton April 12th 1805

Signed and dated

  • 1802-08

Medium and dimensions

Pen, sepia, pink and raw umber washes, pencil on laid paper (620 x 925)

Hand

Dance

Watermark

D & C Blauw IV and D&CBxX in cartouche surmounted by fleur-de-lis

Notes

As executed.

Verso
Part section of East Wall Coleorton Hall
Scale: 1 in to 1 ft
Inscribed: as above, labelled including Girder 10in by 3in [sic] and (referring to recto, office hand) Base Moulding full Size / for Turrets
Pen, pink wash, pencil
Cut on three sides, this seems to be a superseded drawing re-used.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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