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  • image SM D1/11/30

Reference number

SM D1/11/30

Purpose

Coleorton, Leicestershire, 1802-08

Aspect

[52] Unlimited elevation of E front close to as executed, with offices not as built

Scale

¼ in to 1 ft

Inscribed

South Front [sic], Coleorton Hall, dimensions given and (against offices) first thoughts of / Offices not executed and (verso, Dance) Coleorton / East Front

Signed and dated

  • 1802-08

Medium and dimensions

Pen, green earth, sepia, yellow and pink washes, pencil on laid paper (365 x 1020)

Hand

Dance

Watermark

D & C Blauw & D&CBxX in cartouche surmounted by fleur-de-lis

Notes

The east elevation of the house (which is not finished) corresponds to [SM D1/11/24] except that there are no blind windows and no parapet. The unexecuted design for offices shows a three-storey, three-bay building with a hipped roof linked to a pyramidally roofed two-storey pavilion.

[SM D1/11/30] with the shallow-hipped, slate roof drawn in shows Dance's acceptance of a two-storey building - presumably because of costs. It is ironic that another storey was (sympathetically) added by Frederick Pepys Cockerell (1833-78) in 1862.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).