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  • image Image 1 for SM D1/11/25
  • image Image 2 for SM D1/11/25
  • image Image 1 for SM D1/11/25
  • image Image 2 for SM D1/11/25

Reference number

SM D1/11/25

Purpose

Coleorton, Leicestershire, 1802-08

Aspect

[49] Preliminary incomplete elevation / section of three-storey and basement E front (top floor cancelled)

Scale

¼ in to 1 ft

Inscribed

dimensions given and (verso, Dance) Coleorton / East / Elev(cut)

Signed and dated

  • 1802-08

Medium and dimensions

Pen, sepia wash, pencil on laid paper (375 x 510)

Hand

Dance

Watermark

D & C Blauw IV

Notes

The drawing shows a four-bay front with polygonal turrets at each end and with segmental-headed windows under labels. The elevation is composed with an A (5 feet 6 inches) B (window, 5 feet) C (9 feet 6 inches) B, D (12 feet 10½ inches) B, C, B,A rhythm. It is incompletely drawn and, interestingly, Dance draws in an upper floor but then cancels it.

See also [SM D1/11/26].

Verso
Rough perspective of two-storey, five-bay E front and of S front with conservatory
Pencil
See also [SM D1/11/26].

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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